artWORK/Jessica Holtaway

 

キュンチョメの作品が掲載されています

Kyunchome's work has been published.





artWORK

Art, Labour and Activism

Paula Serafini|Jessica Holtaway|Alberto Cossu

artWork: Art, Labour and Activism explores the complexity of the relation between art, labour and activism from both an academic and an actors’ perspective.

https://www.rowmaninternational.com/shop?q=Jessica+Holtaway


CONTESTED SITES, CONTESTED BODIES: POST-3.11 COLLABORATIONS, AGENCY, AND METABOLIC ECOLOGIES IN JAPANESE ART /Theresa Deichert

 

キュンチョメの作品が掲載されています

Kyunchome's work has been published.




CONTESTED SITES, CONTESTED BODIES: POST-3.11 COLLABORATIONS, AGENCY, AND METABOLIC ECOLOGIES IN JAPANESE ART

  • Theresa Deichert 

Abstract

The cataclysmic triple disaster in Japan of March 2011 prompted Japanese artists to respond to diverse post-disaster needs. Their responses often involved collaborative practices. This paper argues that if we are to fully understand such collaborations in works of art dealing with the radioactive contamination caused by the Fukushima nuclear disaster, we must attend to collaborations with agents beyond humans. The disaster and the resulting contamination brought into focus the interconnected and interdependent ecological network of humans, non-humans, and the environment. By analyzing two artworks that include potentially radioactive foodstuffs, Flow in Red (2014) by Kyun-Chome and Does This Soup Taste Ambivalent? (2014) by United Brothers, this paper explores how artists have mobilized radioactivity, or objects penetrated by it, and collaborated with these non-human actors. Advancing from a transcultural perspective and building upon Bruno Latour’s actor-network theory, the article assumes an ecological approach to art that pushes beyond cultural categorizations and pays attention to non-human agency. Examining artworks in this way unravels post-disaster social and political concerns, such as distributions of power, anxiety over contamination, and discrimination against disaster victims.


あいちトリエンナーレ2019/Your Freedom 新聞掲載

 






あいちトリエンナーレ2019の完全なる再開を目指す『Re_Feedom Aichi』の中でキュンチョメが行ったY/OUR FREEDOMに関する新聞記事。



An Artist Duo’s Ingenious Movie About US Military Bases in Japan/Jeremy Woolsey

 



An Artist Duo’s Ingenious Movie About US Military Bases in Japan

The documentary, titled Making a Perfect Donut, is particularly timely given protests currently going on over the construction of a new base in Henoko.
by Jeremy Woolsey

https://hyperallergic.com/480405/making-a-perfect-donut-kyun-chome/

アピチャッポン・ウィーラセタクン ──光と記憶のアーティスト /寄稿

 

アピチャッポン・ウィーラセタクン ──光と記憶のアーティスト 

夏目 深雪  (著, 編集)


キュンチョメが寄稿しています。

 

ステージナタリー

「あいちトリエンナーレ2019」

市原佐都子×ホンマエリ(キュンチョメ)×サエボーグ 座談会

https://natalie.mu/stage/pp/aichi2019_pa02


記事を画像で見る






図書新聞 2019年1月19日
ART欄抜粋 著者:福住廉
美術手帖 2016年12月号 
REVIEW:著者 原田裕規





POPEYE(ポパイ) 2016年 12月号 [僕の好きなアート。]
 



隔月ハート 2016/11
表紙&インタビュー掲載
WEBでも読めます


BRUTUS(ブルータス) 2016年 11/1 号 [現代アートと暮らしたい! ] 


artscapeレビュー 著者:福住廉

東京新聞
2016/6/19掲載
東京新聞
2016/1/3掲載


ART REVIEW as part of Art Featured / Future Greats!
January&February 2016
http://artreview.com/magazine/2016-2006/janfeb_2016/