tag:blogger.com,1999:blog-17039763689012762372024-03-14T21:05:40.459+09:00KYUN-CHOME PLESSキュンチョメhttp://www.blogger.com/profile/05235662118929093384noreply@blogger.comBlogger54125tag:blogger.com,1999:blog-1703976368901276237.post-53645955700263635682024-01-07T22:01:00.004+09:002024-01-07T22:07:11.255+09:00見聞録(美術) 「魂の色は青」展評<p></p><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoRAm7hyphenhyphenST7ZLMd9j6qmlVRTo8g5UWVwYAyxFfuf_IBAZMzceZ108OWHqnEXaDi_Jne2eIepdcNojWn-d4ViVL7PQGSiFxJxUdo8fL8e1PB8b546_FwuuQgLwFzPDlcldIVT5wpnHO0ku_JyHYdkC-KGOIal9rXvYyMZ3dZ5chXw62nhyphenhyphenGVUolMtNA4s8/s2943/%E5%85%B1%E5%90%8C%E9%80%9A%E4%BF%A1-%E7%A6%8F%E4%BD%8F%E9%AD%82%E3%81%AE%E8%89%B2%E3%81%AF%E9%9D%92%E5%B1%95-1.tif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2943" data-original-width="2201" height="848" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoRAm7hyphenhyphenST7ZLMd9j6qmlVRTo8g5UWVwYAyxFfuf_IBAZMzceZ108OWHqnEXaDi_Jne2eIepdcNojWn-d4ViVL7PQGSiFxJxUdo8fL8e1PB8b546_FwuuQgLwFzPDlcldIVT5wpnHO0ku_JyHYdkC-KGOIal9rXvYyMZ3dZ5chXw62nhyphenhyphenGVUolMtNA4s8/w633-h848/%E5%85%B1%E5%90%8C%E9%80%9A%E4%BF%A1-%E7%A6%8F%E4%BD%8F%E9%AD%82%E3%81%AE%E8%89%B2%E3%81%AF%E9%9D%92%E5%B1%95-1.tif" width="633" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">共同通信 2023年11月29日 見聞録(美術)</div><div class="separator" style="clear: both; text-align: center;">著者 福住廉(美術評論家)</div><br /> <p></p>キュンチョメhttp://www.blogger.com/profile/05235662118929093384noreply@blogger.comtag:blogger.com,1999:blog-1703976368901276237.post-42709538788384893172024-01-07T21:58:00.006+09:002024-01-07T21:58:43.372+09:00日本経済新聞 黒部市美術館個展<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJq17qVhYpMllU7-KxE2KfOXHtLwaKziiZ3iVe96vaUn1_3sahO4_oleKgJXZWIZd0fJ8A8A2iAEvaZhojohYpALfd1PWKjnh7zo2JOwdoDarp32ttXYKxJWYXI21TfDbI0lJ30C2mBOCSbSDdoINVpFpcvFlfPHViWY2rsTkW_gM_yL2DfeuCU_ndrYo/s957/%E9%BB%92%E9%83%A8%E3%83%BC%E6%97%A5%E7%B5%8C%EF%BC%92.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="778" data-original-width="957" height="466" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJq17qVhYpMllU7-KxE2KfOXHtLwaKziiZ3iVe96vaUn1_3sahO4_oleKgJXZWIZd0fJ8A8A2iAEvaZhojohYpALfd1PWKjnh7zo2JOwdoDarp32ttXYKxJWYXI21TfDbI0lJ30C2mBOCSbSDdoINVpFpcvFlfPHViWY2rsTkW_gM_yL2DfeuCU_ndrYo/w574-h466/%E9%BB%92%E9%83%A8%E3%83%BC%E6%97%A5%E7%B5%8C%EF%BC%92.jpg" width="574" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br />日本経済新聞<p></p><p>2023/11/6</p><p>編集委員:窪田直子</p>キュンチョメhttp://www.blogger.com/profile/05235662118929093384noreply@blogger.comtag:blogger.com,1999:blog-1703976368901276237.post-79655593292608420892023-12-01T20:31:00.004+09:002023-12-02T15:48:07.165+09:002万字インタビュー掲載 “愛と幸せはいま、圧倒的に足りていない”ーーキュンチョメ個展『魂の色は青』レポート & 超ロングインタビュー<p><span style="font-family: inherit;"> </span></p><h1 class="o-noteContentHeader__title" data-v-0aefcf7a="" style="-webkit-text-size-adjust: 100%; background-repeat: no-repeat; border: 0px solid; box-sizing: inherit; caret-color: rgb(8, 19, 26); color: #08131a; font-feature-settings: "palt"; font-size: var(--font-size-xl); letter-spacing: 0.04em; line-height: 1.5; margin: 30px 0px 15px; min-height: 1em; padding: 0px; pointer-events: auto; text-size-adjust: 100%;"><span style="font-family: inherit;"><div class="separator" style="clear: both; text-align: center;"><a href="https://note.com/misonikomi_oden/n/n4de28aa8edf8" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2045" data-original-width="1170" height="432" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5Ge4yNhFmUb7f5Dfs6Pih9opJDVXfIU0HMi-bVhhGaR7Eu2CEKdsMl4VSX17PlQqQGPdiVcFWASZvuPvQfe17XVzJ2tVe8ULRGtXgT5G0aPBxjXIyklqaXqv-9TUvfze167LuLud8sGvgQqFEY7yRgxW6_ba0IeQaBsbvzpGlP_CB3XUMI2Nhjgd-QzI/w247-h432/IMG_8705.jpeg" width="247" /></a><a href="https://note.com/misonikomi_oden/n/n4de28aa8edf8" style="font-family: inherit; letter-spacing: 0.04em; margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1942" data-original-width="1170" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyFs6yK8QH21-GKGzz4AhUiqh5c5RcxVyvagnaIBJ1bNHtdtF4gOVzx2hQ0zFdYs2CFW3xW1PMDIq_6XwN83AU7Tbm934IBQ9Eg9BJCCunX-aX1pmEGJmQKiae7WYIndWx-eDVcYPlFhnRIk8IjogNfjzOgfymQ3UkQnRliKX0kTT7TnxuPgV2XczMYq0/w257-h426/IMG_8706.jpeg" width="257" /></a></div><br />“愛と幸せはいま、圧倒的に足りていない”ーーキュンチョメ個展『魂の色は青』レポート & 超ロングインタビュー</span></h1><div><a href="https://note.com/misonikomi_oden/n/n4de28aa8edf8"><span style="font-family: inherit;">https://note.com/misonikomi_oden/n/n4de28aa8edf8</span></a></div><div><br /></div><div><span style="font-family: inherit;">黒部市美術館個展『魂の色は青』に関わる二万字インタビュー</span></div><div><span style="font-family: inherit;"><br /></span></div><div><span style="font-family: inherit;"><br /></span></div><div><strong style="-webkit-text-size-adjust: 100%; background-repeat: no-repeat; border: 0px solid; box-sizing: inherit; caret-color: rgb(8, 19, 26); color: #08131a; font-size: 16px; margin: 0px; padding: 0px; text-size-adjust: 100%;"><span style="font-family: inherit;"><br /></span></strong></div><div><span style="font-family: inherit;"><span style="-webkit-text-size-adjust: 100%; background-repeat: no-repeat; border: 0px solid; box-sizing: inherit; caret-color: rgb(8, 19, 26); font-size: 16px; margin: 0px; padding: 0px; text-size-adjust: 100%;">取材・撮影・執筆:東間 嶺 </span></span></div><div><br /></div><div><br /></div><div><br /></div>キュンチョメhttp://www.blogger.com/profile/05235662118929093384noreply@blogger.comtag:blogger.com,1999:blog-1703976368901276237.post-73233387369798286542023-12-01T20:22:00.004+09:002023-12-01T20:22:40.892+09:00朝日新聞 評 キュンチョメ個展「魂の色は青」力を抜き捉える 現代社会<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDiN-5Hh5aSOr6efeblnjiaPmyyPSOieqeTTeL7a1OXZopar1pAMgtdunGTq4UQNs7GEN-0iekXVmGRlABCaZ-6GUn8aGV4Z_PjTq7rdKBiwKo9ZUKDbOyCa3uokzQLdsPjEdynWkSWTpY_4jbBhW-PwYdRM9Fo3eSVqW9QzCtOBAgwsgngLWrnHV50Fc/s2695/231128%E5%A4%95%E5%88%8A.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2695" data-original-width="959" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDiN-5Hh5aSOr6efeblnjiaPmyyPSOieqeTTeL7a1OXZopar1pAMgtdunGTq4UQNs7GEN-0iekXVmGRlABCaZ-6GUn8aGV4Z_PjTq7rdKBiwKo9ZUKDbOyCa3uokzQLdsPjEdynWkSWTpY_4jbBhW-PwYdRM9Fo3eSVqW9QzCtOBAgwsgngLWrnHV50Fc/s320/231128%E5%A4%95%E5%88%8A.jpeg" width="114" /></a></div><br /> 朝日新聞 2023.11.28夕刊<p></p><p>文章:編集委員 大西若人</p><p><br /></p>キュンチョメhttp://www.blogger.com/profile/05235662118929093384noreply@blogger.comtag:blogger.com,1999:blog-1703976368901276237.post-73347176790049831662022-08-11T01:27:00.004+09:002022-08-11T01:27:37.316+09:00名古屋造形大学 対話プロジェクト 記録書籍『対話空間』<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjBc8jhPUKaHit08oNisZiii1JRTsMWNwcfMLNKwJPF_bublrdfDhplQlDxnf-UWd4i40sMdDQVlHUYB7fmVVKHay-Q6yLAIrfNwlZSVDZFhxsgkABQsEyBjbLteV-lQuJpD6cxrRvfFPTfgrXwR1PoMG8YwTkQJRVEp65Jk_49vsDzqCmjdJ35h6XH" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="4032" data-original-width="3024" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEjBc8jhPUKaHit08oNisZiii1JRTsMWNwcfMLNKwJPF_bublrdfDhplQlDxnf-UWd4i40sMdDQVlHUYB7fmVVKHay-Q6yLAIrfNwlZSVDZFhxsgkABQsEyBjbLteV-lQuJpD6cxrRvfFPTfgrXwR1PoMG8YwTkQJRVEp65Jk_49vsDzqCmjdJ35h6XH" width="180" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><p></p><p dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt; text-align: center;"><span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">名古屋造形大学 対話プロジェクト</span></p><p dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt; text-align: center;"><span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;"><span id="docs-internal-guid-4d56fb4c-7fff-7c46-1d73-1057c9c1f3e4"></span></span></p><p dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt; text-align: center;"><span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">記録書籍『対話空間』</span></p><p dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt; text-align: center;"><span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">キュンチョメの特別講義が掲載されています</span></p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><span id="docs-internal-guid-b3583834-7fff-2f9c-a94e-26f976cccd5b"></span></div>キュンチョメhttp://www.blogger.com/profile/05235662118929093384noreply@blogger.comtag:blogger.com,1999:blog-1703976368901276237.post-61292441335957904182022-08-04T23:33:00.002+09:002022-08-04T23:33:23.152+09:00表現の現場調査団としての活動<div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtMsupUWYuLq6tGFUTkiOjIO6rcDQnVkK-vBWzlNlpL_H8y_Qw1cm6bitkVrI1CFCMZ7Ozecxkenc6shgmjcWoEp4HsnInReg46_BtYSyBIQu0t4tJHc3i2A-FeNsyd4_ww8KnVJRS4mYzXOLeoYl6FkIMmGHUwc6Rr6alglIqMx00jLTVoOytGVtb/s1480/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88%202022-08-04%2022.30.17.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1480" data-original-width="1046" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtMsupUWYuLq6tGFUTkiOjIO6rcDQnVkK-vBWzlNlpL_H8y_Qw1cm6bitkVrI1CFCMZ7Ozecxkenc6shgmjcWoEp4HsnInReg46_BtYSyBIQu0t4tJHc3i2A-FeNsyd4_ww8KnVJRS4mYzXOLeoYl6FkIMmGHUwc6Rr6alglIqMx00jLTVoOytGVtb/s320/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88%202022-08-04%2022.30.17.png" width="226" /></a></div><br /><p>2020年より活動している『表現の現場調査団』に関する情報はこちら</p><p>表現の現場に関するハラスメントの実態調査、賞や栄典・教育機関などのジェンダーバランス調査を行い継続的に発表している</p><p><br /></p><p>表現の現場調査団</p><p><a href="https://www.hyogen-genba.com/">https://www.hyogen-genba.com/</a></p><p><br /></p><p>メディア掲載など一覧</p><p><a href="https://www.hyogen-genba.com/activity">https://www.hyogen-genba.com/activity</a></p>キュンチョメhttp://www.blogger.com/profile/05235662118929093384noreply@blogger.comtag:blogger.com,1999:blog-1703976368901276237.post-2164797612216423052022-08-04T23:18:00.001+09:002022-08-04T23:18:09.549+09:00群像/表紙・寄稿<p> </p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj31TTTx-gBuxDipB8dWNjTv3TW2XpC3hTxgomQiYIlU8kt1tB2sNt3lyLQXw0I9Ti9A-GoVGNRGflTBkSSwTP0sA1efBTFKtMJZFsGK_uenKOEnc5qrqsaQXJBq-zzVKslK-gFu_oLu2-wtssFGtaHs7M9kj7YY5s2HMWtNr7YVvFOdc90LNBWfXqa/s927/3518e0ab3b1d8f4fcf999273b9562f95.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="927" data-original-width="640" height="411" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj31TTTx-gBuxDipB8dWNjTv3TW2XpC3hTxgomQiYIlU8kt1tB2sNt3lyLQXw0I9Ti9A-GoVGNRGflTBkSSwTP0sA1efBTFKtMJZFsGK_uenKOEnc5qrqsaQXJBq-zzVKslK-gFu_oLu2-wtssFGtaHs7M9kj7YY5s2HMWtNr7YVvFOdc90LNBWfXqa/w284-h411/3518e0ab3b1d8f4fcf999273b9562f95.png" width="284" /></a></div><br /><p><b>群像 2021年4月号</b></p><p>表紙作品写真、表紙裏に文章寄稿</p>キュンチョメhttp://www.blogger.com/profile/05235662118929093384noreply@blogger.comtag:blogger.com,1999:blog-1703976368901276237.post-68655071617522756912022-08-04T23:12:00.002+09:002022-08-04T23:15:24.026+09:00美術手帖 2020年6月号『アーティストと香港デモ』寄稿<p> </p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0LQfRsdEbwm8rYXntvFOQCr4MqQB6Mzu4pdqhAFkQukFV0E_MJiOSzcXmk2XmTXJxT9wmup6wT7irHO7OkRrkLyxL8UeZZVTlovtiRfa7D2X73SkuD-FRJS2a4lLrP6krCINltsZXZTEptQRDGMxGmbB3pk-FEcCtvjpHnnytWCIwVZIjfmfbkhDf/s1200/EW7-gW_WkAkwcuE.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="904" data-original-width="1200" height="350" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0LQfRsdEbwm8rYXntvFOQCr4MqQB6Mzu4pdqhAFkQukFV0E_MJiOSzcXmk2XmTXJxT9wmup6wT7irHO7OkRrkLyxL8UeZZVTlovtiRfa7D2X73SkuD-FRJS2a4lLrP6krCINltsZXZTEptQRDGMxGmbB3pk-FEcCtvjpHnnytWCIwVZIjfmfbkhDf/w465-h350/EW7-gW_WkAkwcuE.jpg" width="465" /></a></div><br /><p><br /></p><p><b>美術手帖 2020年6月号</b></p><p>第二特集の『アーティストと香港デモ』に『キーワードで読み解く キュンチョメが見た香港デモ』を寄稿しています。全10P、香港のデモをあらゆる角度から書いているので是非ご覧ください</p>キュンチョメhttp://www.blogger.com/profile/05235662118929093384noreply@blogger.comtag:blogger.com,1999:blog-1703976368901276237.post-33596917134296116732022-08-04T23:10:00.001+09:002022-08-04T23:10:28.515+09:00中部美術縁起 /寄稿<p><br /></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgviHehyjGYTJJebgbjxJHt6l66C_yu_b0rqGnS8GeMPL7jSRZ2M4kMLkWfm9vtCr1ryV3YeDknh5Mvvtr9yhnTGxSMwGSABthzr5zy25Fm5UXamK8giZkonRzGAVibuVuk2cHsT1rf6hHYOic5Vk1Bap8YhBldQQZb-tYSM1II-x-J-oSkd00xigQa/s499/414A2Q9RIuL._SX351_BO1,204,203,200_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="499" data-original-width="353" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgviHehyjGYTJJebgbjxJHt6l66C_yu_b0rqGnS8GeMPL7jSRZ2M4kMLkWfm9vtCr1ryV3YeDknh5Mvvtr9yhnTGxSMwGSABthzr5zy25Fm5UXamK8giZkonRzGAVibuVuk2cHsT1rf6hHYOic5Vk1Bap8YhBldQQZb-tYSM1II-x-J-oSkd00xigQa/s320/414A2Q9RIuL._SX351_BO1,204,203,200_.jpg" width="226" /></a></div><p><br /></p><p></p><p style="-webkit-text-stroke-width: 0px; color: black; font-family: "Hiragino Kaku Gothic ProN"; font-size: medium; font-style: normal; font-variant-caps: normal; font-variant-ligatures: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration-color: initial; text-decoration-style: initial; text-decoration-thickness: initial; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"></p><p></p><p style="-webkit-text-stroke-width: 0px; color: black; font-family: "Hiragino Kaku Gothic ProN"; font-size: medium; font-style: normal; font-variant-caps: normal; font-variant-ligatures: normal; letter-spacing: normal; orphans: 2; text-align: left; text-decoration-color: initial; text-decoration-style: initial; text-decoration-thickness: initial; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"><b>中部美術縁起 </b></p>馬場駿吉 (編集) <p></p><p>キュンチョメが2本、寄稿しています。</p><p>説明:現代アートの最前線に立つアーティスト、評論家、建築家、画廊主らを執筆陣に揃え、約2年間にわたって「中日新聞」紙上で連載された「中部美術縁起」を単行本化。アートを生み出し、育んだ、創造性の源はなにか。中部美術シーンをめぐる様々な人、出来事、そして事件からひもとく。「あいちトリエンナーレ2019」とは何だったのか。</p>キュンチョメhttp://www.blogger.com/profile/05235662118929093384noreply@blogger.comtag:blogger.com,1999:blog-1703976368901276237.post-69319380262702657512022-08-04T23:08:00.001+09:002022-08-04T23:10:16.953+09:00現代アートを殺さないために: ソフトな恐怖政治と表現の自由 /著者:小崎哲哉 <p> </p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijjGqETGEuBnDKjZ-L5Zj6lVixWP7YqasSeIFVuSJtxptkaOSlKrEhgiXr9evzHJGGW85jFHxoF6AsNuvUpIbRL1fcjIlKGllKkTb714nfJy0jdb-KAvocaDtn5PUfkH6iJQSo5aW60pRmogTbZlr_GecgNohiNbvWKM0dRej4k3pKRIDf0FzymjuR/s500/B08VHY4V6K.01._SCLZZZZZZZ_SX500_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="349" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijjGqETGEuBnDKjZ-L5Zj6lVixWP7YqasSeIFVuSJtxptkaOSlKrEhgiXr9evzHJGGW85jFHxoF6AsNuvUpIbRL1fcjIlKGllKkTb714nfJy0jdb-KAvocaDtn5PUfkH6iJQSo5aW60pRmogTbZlr_GecgNohiNbvWKM0dRej4k3pKRIDf0FzymjuR/s320/B08VHY4V6K.01._SCLZZZZZZZ_SX500_.jpg" width="223" /></a></div><b><p><b><br /></b></p>現代アートを殺さないために: ソフトな恐怖政治と表現の自由 </b><p></p><p>著者:小崎哲哉 </p><p>『終章 灰色の時代──世界は光を取り戻せるか』の『ダークアンデパンダン展とは?』にキュンチョメのことが掲載されています</p><p><br /></p><br /><p></p>キュンチョメhttp://www.blogger.com/profile/05235662118929093384noreply@blogger.comtag:blogger.com,1999:blog-1703976368901276237.post-2977040637738237612022-08-03T17:33:00.006+09:002022-08-03T17:50:18.662+09:00artscapeレビュー掲載 キュンチョメ『女たちの黙示録』 著者; 山﨑健太 <p><br /></p><p style="text-align: center;">artscapeレビュー掲載</p><p style="text-align: center;">著者:山﨑健太</p><p style="text-align: center;">キュンチョメ『女たちの黙示録』</p><div style="text-align: center;"><a href="https://artscape.jp/report/review/10174768_1735.html">https://artscape.jp/report/review/10174768_1735.html</a></div><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF0lVxdKzSiD7cr3_ArZ-AfKasi46eQ7LQ56u4EnwuH0Br0GVOz8ahFy4HCLA0NmJ63pJG_9mrTog39eWjhFDEMp1fMvJMETMitJZgRIlsOEeX-VYO_PZa8Tf7dMttURLz3DNa5RbYsbhqIfHMKkoiJLdv9nSTHZ_90yToZLWpk22pteOdrCXjGrom/s1726/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88%202022-08-03%2016.29.36.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1726" data-original-width="1668" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF0lVxdKzSiD7cr3_ArZ-AfKasi46eQ7LQ56u4EnwuH0Br0GVOz8ahFy4HCLA0NmJ63pJG_9mrTog39eWjhFDEMp1fMvJMETMitJZgRIlsOEeX-VYO_PZa8Tf7dMttURLz3DNa5RbYsbhqIfHMKkoiJLdv9nSTHZ_90yToZLWpk22pteOdrCXjGrom/s320/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88%202022-08-03%2016.29.36.png" width="309" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><p></p><p style="text-align: center;"><br /></p>キュンチョメhttp://www.blogger.com/profile/05235662118929093384noreply@blogger.comtag:blogger.com,1999:blog-1703976368901276237.post-1208984503867188082022-08-03T17:21:00.009+09:002022-08-03T17:49:29.262+09:00美術手帖レビュー キュンチョメ個展「ここにいるあなたへ」 著者:荒木夏実評<p style="text-align: center;"> 美術手帖レビュー掲載</p><p style="text-align: center;">10年間の「めちゃくちゃな祈り」。</p><p style="text-align: center;">著者:荒木夏実</p><p style="text-align: center;">キュンチョメ個展「ここにいるあなたへ」https://bijutsutecho.com/magazine/review/24267</p><div><span style="font-weight: normal;"><div style="font-size: small; text-align: center;"><span style="font-size: medium;"><br /></span></div></span></div><div style="text-align: center;"><span style="font-size: small;"><br /></span></div><div><span style="font-size: small;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEg27L1Rg4h4ia3cP93guSJTnFZ8zma1gNDKoym2Zc9_xQwiBh041gzqaJ2JVQBRTJMAJHoc4S5Q8i30BYdaO6xrt-3kwtuxkelDX7z1TQ_EiJxR4aMq3w_qWrJSIJYwWGIGKMy37Ow3JE58qNNJXfbK0vK9y7uoLoNKH-o2BpmPAYmn80xDY3Wp9pB0" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="1452" data-original-width="1060" height="425" src="https://blogger.googleusercontent.com/img/a/AVvXsEg27L1Rg4h4ia3cP93guSJTnFZ8zma1gNDKoym2Zc9_xQwiBh041gzqaJ2JVQBRTJMAJHoc4S5Q8i30BYdaO6xrt-3kwtuxkelDX7z1TQ_EiJxR4aMq3w_qWrJSIJYwWGIGKMy37Ow3JE58qNNJXfbK0vK9y7uoLoNKH-o2BpmPAYmn80xDY3Wp9pB0=w310-h425" width="310" /></a></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div></span></div><div style="text-align: center;"><span style="font-size: medium;"><br /></span></div><div style="text-align: center;"><br /></div>キュンチョメhttp://www.blogger.com/profile/05235662118929093384noreply@blogger.comtag:blogger.com,1999:blog-1703976368901276237.post-61287680507418654682022-07-31T17:46:00.012+09:002022-08-04T18:10:08.762+09:00artWORK/Jessica Holtaway <p> </p><p>キュンチョメの作品が掲載されています</p><p>Kyunchome's work has been published.</p><p><br /></p><p></p><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9i1MhGosrCxEGIQtVEow7ldg90zu-CN5oaaj6ngfzvW5Y6YG3u-GywnAjnz5dBqKONqlnfD2_Qsd6GrbFrdOBKrboZ0YKjqddAACAZugN0NKonQva3uIHPMN6ADwIiK8Oq3CcvIHmdLUk3RuWswvj_GnbqQZ7G70GRn88qj6_Ps0ZyNr9O8Gtllfq/s2582/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88%202022-08-04%2013.59.11.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1480" data-original-width="2582" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9i1MhGosrCxEGIQtVEow7ldg90zu-CN5oaaj6ngfzvW5Y6YG3u-GywnAjnz5dBqKONqlnfD2_Qsd6GrbFrdOBKrboZ0YKjqddAACAZugN0NKonQva3uIHPMN6ADwIiK8Oq3CcvIHmdLUk3RuWswvj_GnbqQZ7G70GRn88qj6_Ps0ZyNr9O8Gtllfq/w465-h266/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88%202022-08-04%2013.59.11.png" width="465" /></a></div><b><p><b><br /></b></p>artWORK</b><p></p><p>Art, Labour and Activism</p><p>Paula Serafini|Jessica Holtaway|Alberto Cossu</p><p>artWork: Art, Labour and Activism explores the complexity of the relation between art, labour and activism from both an academic and an actors’ perspective.</p><p><a href="https://www.rowmaninternational.com/shop?q=Jessica+Holtaway">https://www.rowmaninternational.com/shop?q=Jessica+Holtaway</a></p><p><br /></p><p></p>キュンチョメhttp://www.blogger.com/profile/05235662118929093384noreply@blogger.comtag:blogger.com,1999:blog-1703976368901276237.post-3184828478516881762022-07-29T17:51:00.004+09:002022-08-04T18:10:25.915+09:00CONTESTED SITES, CONTESTED BODIES: POST-3.11 COLLABORATIONS, AGENCY, AND METABOLIC ECOLOGIES IN JAPANESE ART /Theresa Deichert <p> </p><div class="article_title item" style="background-color: white; box-sizing: border-box; padding: 15px 0px;"><h1 class="page_title" style="box-sizing: border-box; line-height: 30px; margin: 0px;"><span face="Tahoma, Verdana, Arial, Helvetica, sans-serif" style="color: #1f252e; font-size: small;"><span style="font-weight: normal; text-transform: uppercase;">キュンチョメの作品が掲載されています</span></span></h1><h1 class="page_title" style="box-sizing: border-box; line-height: 30px; margin: 0px;"><span face="Tahoma, Verdana, Arial, Helvetica, sans-serif" style="color: #1f252e; font-size: small;"><span style="font-weight: normal; text-transform: uppercase;">Kyunchome's work has been published.</span></span></h1><h1 class="page_title" style="box-sizing: border-box; color: #1f252e; font-family: Tahoma, Verdana, Arial, Helvetica, sans-serif; line-height: 30px; margin: 0px; text-transform: uppercase;"><span></span><span><br /></span><span style="font-size: small;"><br /></span></h1><h1 class="page_title" style="box-sizing: border-box; color: #1f252e; font-family: Tahoma, Verdana, Arial, Helvetica, sans-serif; line-height: 30px; margin: 0px; text-transform: uppercase;"><span style="font-size: small;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihTVIFVH1xQrRwgY_ll7S-DDSjsVGcyqaXePt941FKW27dSvO3ZuNLmY3FITXB4M1uxx89nekJ1KgPqxwC-d0iTgLpfy6BEYI6gqvsk_mV-Lcbw7PCJIjoLzHTgWowDF3aT92iCQlp8fFtf1X2CX90NKF3nf2OircG5XHcw587AZAHZFh6sgAB0wHV/s1544/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88%202022-08-04%2016.47.24.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1544" data-original-width="1330" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihTVIFVH1xQrRwgY_ll7S-DDSjsVGcyqaXePt941FKW27dSvO3ZuNLmY3FITXB4M1uxx89nekJ1KgPqxwC-d0iTgLpfy6BEYI6gqvsk_mV-Lcbw7PCJIjoLzHTgWowDF3aT92iCQlp8fFtf1X2CX90NKF3nf2OircG5XHcw587AZAHZFh6sgAB0wHV/s320/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88%202022-08-04%2016.47.24.png" width="276" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div>CONTESTED SITES, CONTESTED BODIES: POST-3.11 COLLABORATIONS, AGENCY, AND METABOLIC ECOLOGIES IN JAPANESE ART</span></h1></div><ul class="item authors" style="background-color: white; box-sizing: border-box; color: #1f252e; font-family: Tahoma, Verdana, Arial, Helvetica, sans-serif; list-style: none; margin: 0px; padding: 15px 0px;"><li style="box-sizing: border-box; line-height: 20px; margin-bottom: 0px; margin-top: 0px;"><span class="name" style="box-sizing: border-box; display: inline;">Theresa Deichert</span> </li></ul><div><h2 class="label" style="background-color: white; box-sizing: border-box; color: #1f252e; font-family: Tahoma, Verdana, Arial, Helvetica, sans-serif; font-size: 14px; font-weight: normal; line-height: 18px; margin: 0px;">Abstract</h2><p style="background-color: white; box-sizing: border-box; color: #1f252e; font-family: Tahoma, Verdana, Arial, Helvetica, sans-serif; font-size: 14px; line-height: 25px; margin: 0px 0px 15px;">The cataclysmic triple disaster in Japan of March 2011 prompted Japanese artists to respond to diverse post-disaster needs. Their responses often involved collaborative practices. This paper argues that if we are to fully understand such collaborations in works of art dealing with the radioactive contamination caused by the Fukushima nuclear disaster, we must attend to collaborations with agents beyond humans. The disaster and the resulting contamination brought into focus the interconnected and interdependent ecological network of humans, non-humans, and the environment. By analyzing two artworks that include potentially radioactive foodstuffs,<em style="box-sizing: border-box;"> Flow in Red</em> (2014) by Kyun-Chome and <em style="box-sizing: border-box;">Does This Soup Taste Ambivalent?</em> (2014) by United Brothers, this paper explores how artists have mobilized radioactivity, or objects penetrated by it, and collaborated with these non-human actors. Advancing from a transcultural perspective and building upon Bruno Latour’s actor-network theory, the article assumes an ecological approach to art that pushes beyond cultural categorizations and pays attention to non-human agency. Examining artworks in this way unravels post-disaster social and political concerns, such as distributions of power, anxiety over contamination, and discrimination against disaster victims.</p></div><ul class="item authors" style="background-color: white; box-sizing: border-box; color: #1f252e; font-family: Tahoma, Verdana, Arial, Helvetica, sans-serif; list-style: none; margin: 0px; padding: 15px 0px;"><li style="box-sizing: border-box; line-height: 20px; margin-bottom: 0px; margin-top: 0px;"><br /></li></ul><div><span face="Tahoma, Verdana, Arial, Helvetica, sans-serif" style="color: #1f252e;"><span style="font-size: 14px;"><a href="https://heiup.uni-heidelberg.de/journals/index.php/transcultural/article/view/24246">https://heiup.uni-heidelberg.de/journals/index.php/transcultural/article/view/24246</a></span></span></div>キュンチョメhttp://www.blogger.com/profile/05235662118929093384noreply@blogger.comtag:blogger.com,1999:blog-1703976368901276237.post-10862292167420736212022-06-01T23:28:00.000+09:002022-08-04T23:28:33.054+09:00あいちトリエンナーレ2019/Your Freedom 新聞掲載<p> </p><div class="separator" style="clear: both; text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX7jURhgjnXIT8rE8DIUVpV3fV87UvtrSgN9OM2ftTcnPPqvuAjZ-thEUzApJIO6C8RwlL_VcQcOdnj59iPmwYRNgGBiDjeYPnGhFYzYTPq5CbxCIy1VX3fCja9Y-9PYcgWHDGT0k2t2dTHZXER9C5FZDw_-uA2ef_6PAnIeKQaQl3mrEgF2nUtI2v/s2272/%E6%9C%9D%E6%97%A5%E6%96%B0%E8%81%9E.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2272" data-original-width="1504" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX7jURhgjnXIT8rE8DIUVpV3fV87UvtrSgN9OM2ftTcnPPqvuAjZ-thEUzApJIO6C8RwlL_VcQcOdnj59iPmwYRNgGBiDjeYPnGhFYzYTPq5CbxCIy1VX3fCja9Y-9PYcgWHDGT0k2t2dTHZXER9C5FZDw_-uA2ef_6PAnIeKQaQl3mrEgF2nUtI2v/s320/%E6%9C%9D%E6%97%A5%E6%96%B0%E8%81%9E.jpg" width="212" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXoCmSAB_EOPW9pSVAnF7E_l9SJvvv7OX3qdRjYE5oRX8VxJx60l4kPHVR-_ZEAVWIcCdFrmKlj1xp3rt5oHrcWWk92V0Ffn8YvXUu6kIauPHfPlRcH5MXESYkfb-yF55u0kS3xw7MPBNXDIVpnb52qbwpvcIBJQuau1I0qaxNMaADFVkyoIau81w6/s2464/%E4%B8%AD%E6%97%A5%E6%96%B0%E8%81%9E%EF%BC%92.jpg" imageanchor="1" style="margin-left: 1em; 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text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">あいちトリエンナーレ2019の完全なる再開を目指す『Re_Feedom Aichi』の中でキュンチョメが行ったY/OUR FREEDOMに関する新聞記事。</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><p></p>キュンチョメhttp://www.blogger.com/profile/05235662118929093384noreply@blogger.comtag:blogger.com,1999:blog-1703976368901276237.post-75759111841383443082022-05-01T15:14:00.012+09:002022-08-06T15:16:56.555+09:00An Artist Duo’s Ingenious Movie About US Military Bases in Japan/Jeremy Woolsey<p> </p><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwekooMQNdx0Ddc0_CSdiwGnGzDNHn3gabhRrpfjGzSiV_bH-yArVsQvNLj_4y9cnp8w3Uo63qehQMC-0Di3FqpBMTYfKU6luhUKFLJIivsz5I2qRRyWUM27siM-zVTd8YaDCDQ9e2E1alrrmOlJRXdsRrlsmwdgHCpKTEL6QbNAfkzAdsGHGJzzJS/s2438/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88%202022-08-03%2016.51.41.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1718" data-original-width="2438" height="322" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwekooMQNdx0Ddc0_CSdiwGnGzDNHn3gabhRrpfjGzSiV_bH-yArVsQvNLj_4y9cnp8w3Uo63qehQMC-0Di3FqpBMTYfKU6luhUKFLJIivsz5I2qRRyWUM27siM-zVTd8YaDCDQ9e2E1alrrmOlJRXdsRrlsmwdgHCpKTEL6QbNAfkzAdsGHGJzzJS/w458-h322/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88%202022-08-03%2016.51.41.png" width="458" /></a></div><br /><p></p><h1 class="entry-title entry-title--with-subtitle" style="-webkit-font-smoothing: antialiased; background-color: white; box-sizing: inherit; font-family: freight-text-pro, Georgia, Garamond, "Times New Roman", serif; hyphens: none; line-height: 1.1em; margin: 0px 0px 0.3em; padding-right: 1em; word-break: break-word;"><span style="font-size: small;">An Artist Duo’s Ingenious Movie About US Military Bases in Japan</span></h1><div class="newspack-post-subtitle" style="background-color: white; box-sizing: inherit; font-family: freight-text-pro, Georgia, "serif"; line-height: 1.4em; margin-bottom: 1.2em; margin-right: 10em; margin-top: -0.2em;">The documentary, titled <em style="box-sizing: inherit;">Making a Perfect Donut</em>, is particularly timely given protests currently going on over the construction of a new base in Henoko.</div><div class="newspack-post-subtitle" style="background-color: white; box-sizing: inherit; font-family: freight-text-pro, Georgia, "serif"; line-height: 1.4em; margin-bottom: 1.2em; margin-right: 10em; margin-top: -0.2em;"><span style="box-sizing: inherit; color: #222222; font-family: -apple-system, blinkmacsystemfont, "Segoe UI", Roboto, Oxygen, "Fira Sans", "Droid Sans", "Helvetica Neue", sans-serif; font-size: 13.44px;">by</span><span style="color: #222222; font-family: -apple-system, blinkmacsystemfont, "Segoe UI", Roboto, Oxygen, "Fira Sans", "Droid Sans", "Helvetica Neue", sans-serif; font-size: 13.44px;"> </span><span class="author vcard" style="box-sizing: inherit; color: #222222; font-family: -apple-system, blinkmacsystemfont, "Segoe UI", Roboto, Oxygen, "Fira Sans", "Droid Sans", "Helvetica Neue", sans-serif; font-size: 13.44px; font-weight: bold;"><a class="url fn n" href="https://hyperallergic.com/author/jeremy-woolsey/" style="background-color: transparent; box-sizing: inherit; color: #333333; font-weight: 500; text-decoration-line: none; transition: color 110ms ease-in-out 0s;">Jeremy Woolsey</a></span></div><div class="newspack-post-subtitle" style="background-color: white; box-sizing: inherit; font-family: freight-text-pro, Georgia, "serif"; line-height: 1.4em; margin-bottom: 1.2em; margin-right: 10em; margin-top: -0.2em;"><br /></div><div class="newspack-post-subtitle" style="background-color: white; box-sizing: inherit; line-height: 1.4em; margin-bottom: 1.2em; margin-right: 10em; margin-top: -0.2em;"><span style="font-family: freight-text-pro, Georgia, serif;"><a href="https://hyperallergic.com/480405/making-a-perfect-donut-kyun-chome/">https://hyperallergic.com/480405/making-a-perfect-donut-kyun-chome/</a></span></div>キュンチョメhttp://www.blogger.com/profile/05235662118929093384noreply@blogger.comtag:blogger.com,1999:blog-1703976368901276237.post-80043556614978809092022-01-01T23:12:00.000+09:002022-08-06T15:17:16.081+09:00アピチャッポン・ウィーラセタクン ──光と記憶のアーティスト /寄稿<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfuIEc-RGW4eXc91na0PIlERwolmAvvE8NRJ5VlwprGjpdz1T4wbL8WWogrhoyHcxraZauuZqrpgUHKx_LrRBfazxwG9e1obLRO_O97j1fWJhZerprm4o2T49UkKZdt78NNSVckZsE-HXve1U-ILgeRs6V_JouwD1o2JYODPU-J9VGhfVuziFs73HQ/s499/51socfroZML._SX350_BO1,204,203,200_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="499" data-original-width="352" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfuIEc-RGW4eXc91na0PIlERwolmAvvE8NRJ5VlwprGjpdz1T4wbL8WWogrhoyHcxraZauuZqrpgUHKx_LrRBfazxwG9e1obLRO_O97j1fWJhZerprm4o2T49UkKZdt78NNSVckZsE-HXve1U-ILgeRs6V_JouwD1o2JYODPU-J9VGhfVuziFs73HQ/s320/51socfroZML._SX350_BO1,204,203,200_.jpg" width="226" /></a></div><p></p><p><b>アピチャッポン・ウィーラセタクン ──光と記憶のアーティスト </b></p><p>夏目 深雪 (著, 編集)</p><p><br /></p><p>キュンチョメが寄稿しています。</p>キュンチョメhttp://www.blogger.com/profile/05235662118929093384noreply@blogger.comtag:blogger.com,1999:blog-1703976368901276237.post-73487783357407873682019-02-18T20:49:00.001+09:002019-02-18T20:49:10.878+09:00<div class="separator" style="clear: both; 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図書新聞 2019年1月19日</div>
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ART欄抜粋 著者:福住廉</div>
キュンチョメhttp://www.blogger.com/profile/05235662118929093384noreply@blogger.comtag:blogger.com,1999:blog-1703976368901276237.post-64559715147054551402017-01-01T18:04:00.002+09:002017-01-01T18:17:28.130+09:00<div class="separator" style="clear: both; text-align: center;">
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REVIEW:著者 原田裕規</div>
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<span style="background-color: white; box-sizing: border-box; color: #111111; font-family: "Hiragino Kaku Gothic Pro W3", "Hiragino Kaku Gothic ProN", Meiryo, sans-serif; font-size: 13px; font-weight: 700; text-align: left;"><br class="Apple-interchange-newline" />POPEYE(ポパイ) 2016年 12月号 [僕の好きなアート。]</span><span style="background-color: white; color: #111111; font-family: "Hiragino Kaku Gothic Pro W3", "Hiragino Kaku Gothic ProN", Meiryo, sans-serif; font-size: 13px; text-align: left;"> </span></div>
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キュンチョメhttp://www.blogger.com/profile/05235662118929093384noreply@blogger.comtag:blogger.com,1999:blog-1703976368901276237.post-46307796460546423432017-01-01T18:01:00.000+09:002017-01-01T18:01:07.500+09:00<div class="separator" style="clear: both; text-align: center;">
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隔月ハート 2016/11</div>
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表紙&インタビュー掲載</div>
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WEBでも読めます</div>
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キュンチョメhttp://www.blogger.com/profile/05235662118929093384noreply@blogger.comtag:blogger.com,1999:blog-1703976368901276237.post-90378643969333227382017-01-01T17:58:00.001+09:002017-01-01T17:58:49.862+09:00<div class="separator" style="clear: both; text-align: center;">
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キュンチョメhttp://www.blogger.com/profile/05235662118929093384noreply@blogger.comtag:blogger.com,1999:blog-1703976368901276237.post-33986045834180638712016-12-25T18:05:00.000+09:002017-01-01T18:07:00.228+09:00<div class="separator" style="clear: both; text-align: center;">
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キュンチョメhttp://www.blogger.com/profile/05235662118929093384noreply@blogger.comtag:blogger.com,1999:blog-1703976368901276237.post-30362640564667010852016-07-12T23:59:00.002+09:002016-07-12T23:59:46.858+09:00<div class="separator" style="clear: both; text-align: center;">
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東京新聞</div>
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2016/6/19掲載</div>
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東京新聞</div>
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2016/1/3掲載</div>
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